Find an ATME Member

Name Institution Email Movement Specialties
Adrian, Barbara
Professor of Theatre Arts
Marymount Manhattan Collegebavoicenyc@aol.comLaban/Bartenieff
Movement for Singers
Movement for the Actor
Period Styles: Acting
Physical Characterization
Alexander, Adam
Movement Professor
adamalexander212@gmail.comAction Theatre
Lecoq
Movement for Singers
Movement for the Actor
Physical Theatre
Stage Combat
Alexandrowicz, Conrad
Associate professor
University of Victoriaconrada@uvic.caAlexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Bodymind/Somatics
Bodywork
Choreography
Clowning and Circus
Composition
Creativity/Focus
Dance
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Masks
Movement for the Actor
Neutral Body Technique
Physical Characterization
Physical Theatre
Solo Performance
Stretching, Strength, and Relaxation
Viewpoints
Anderson, Maggie
Assistant Professor of Musical Theater, Movement, and Dance
Temple Universitymaggie.anderson@temple.eduChoreography
Composition
Dance
Margolis Method
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Dance
Pilates
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Awada, Jeffrey
Associate Professor
Webster Universityjeffreyawada43@webster.eduClowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Devised Theatre
Lecoq
Masks
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Baker, Danette
Faculty
Wichita State Universitydanette@danettemariebaker.comMovement for the Actor
Stage Combat
Bakkensen, Tamala
tamalabakkensen@gmail.comAction Theatre
Anatomy/Injury Prevention
Authentic Movement
Body Language
Bodymind/Somatics
Bodywork
Breath
Choreography
Clowning and Circus
Commedia dell'Arte
Composition
Conditioning and Acrobatics
Contact Improvisation
Creativity/Focus
Dance
Decroux
Devised Theatre
Feldenkrais
Healing/Subtle Energies
Improvisation/Theatre Games
Impulse Work
Laban/Bartenieff
Lecoq
Masks
Meditation
Mime
Movement and Dance Therapy
Movement for the Actor
Musical Theatre
Neutral Body Technique
Period Styles: Acting
Physical Characterization
Physical Theatre
Self Use
Solo Performance
Sound and Movement
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Barker, Sarah
Associate Professor
University of South Carolinasabarker@sc.eduAlexander Technique
Authentic Movement
Body Language
Breath
Clowning and Circus
Devised Theatre
Impulse Work
Lecoq
Masks
Movement for the Actor
Neutral Body Technique
Period Styles: Acting
Physical Characterization
Self Use
Sound and Movement
Barker, David
Professor
Arizona State Universitydavidbarker@asu.eduMime
Movement for the Actor
Solo Performance
Stage Combat
Baumgartner, Aretta
Education Director
Center for Puppetry Artsarettabaumgartner@puppet.orgPuppetry
Beaulieu, Christopher
Creatively Independentcreativelyindie@gmail.comBody Language
Choreography
Clowning and Circus
Commedia dell'Arte
Contact Improvisation
Creative Dramatics
Creativity/Focus
Devised Theatre
General
Improvisation/Theatre Games
Masks
Movement for the Actor
Physical Characterization
Physical Theatre
Self Use
Sound and Movement
Stage Combat
Becker, Jonathan
Assistant Professor of Acting and Movement, Owner Theater-Masks.com
Ball State Universityjkbecker@bsu.eduCommedia dell'Arte
Conditioning and Acrobatics
Grotowski Physical Theatre
Lecoq
Masks
Physical Characterization
Physical Theatre
Puppetry
Stage Combat
Bennett, Leslie
Associate Professor
University of Kansasleslieb@ku.eduAlignment/Release Work
Chekhov Training
Dance
Movement for Singers
Movement for the Actor
Period Styles: Acting
Period Styles: Dance
Physical Theatre
Sound and Movement
Berg, Robyn
Assistant Professor of Theatre at Radford University
professorrobynberg@gmail.comAlexander Technique
Body Language
Breath
Commedia dell'Arte
Contact Improvisation
Creative Dramatics
General
Improvisation/Theatre Games
Laban/Bartenieff
Masks
Meditation
Movement for Singers
Movement for the Actor
Period Styles: Acting
Physical Characterization
Rasaboxes
Stage Combat
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Berland, Erika
Instructor, MFA Contemporary Performance
Naropa Universityeberland@naropa.eduAnatomy/Injury Prevention
Bodymind/Somatics
Bodywork
Meditation
Movement and Dance Therapy
Movement for the Actor
Billew, Slade
Visiting Assistant Professor
Steven F. Austin State Universitybillewbs@sfasu.eduAnatomy/Injury Prevention
Composition
Conditioning and Acrobatics
Contact Improvisation
Creative Dramatics
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Martial Arts
Mime
Movement for the Actor
Physical Characterization
Physical Theatre
Plastic/Droznin/Russian Stage Movement
Stage Combat
Suzuki
T'ai Chi for Actors
Viewpoints
Yoga
black, alexis
Adjunct Professor
Ohio Universityalexisblack@me.comChekhov Training
Choreography
Improvisation/Theatre Games
Impulse Work
Masks
Mime
Movement for the Actor
Physical Characterization
Physical Theatre
Stage Combat
Suzuki
Viewpoints
Blush, Margarita
Assistant Professor
University of Conneticutmargarita.blush@uconn.eduDevised Theatre
Physical Theatre
Puppetry
Boersma, Margaret
Teaching Artist, Educator, Educational Consultant, Curriculum Writer
MB Creative Educational Consultingmboersma@rogers.comAuthentic Movement
Choreography
Creativity/Focus
Dance
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Mime
Movement for the Actor
Performance Art
Physical Characterization
Physical Theatre
Bohn, Lisa
Assistant Professor of Theatre
lisabohn@mac.comAlexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Chekhov Training
Choreography
Contact Improvisation
Creativity/Focus
Healing/Subtle Energies
Improvisation/Theatre Games
Laban/Bartenieff
Meditation
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Characterization
Stage Combat
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Bohon, Jason
Producing Director- Split Knuckle Theatre
jasonbohon@gmail.comAlexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Bodywork
Breath
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Creativity/Focus
Devised Theatre
Impulse Work
Lecoq
Masks
Meditation
Movement for the Actor
Neutral Body Technique
Physical Characterization
Physical Theatre
Self Use
Subtle Energies
Yoga
Bowditch, Rachel
Associate Professor, Head of MFA in Performance, School of Film, Dance, and Theatre
Arizona State Universityrachel.bowditch@asu.eduBodymind/Somatics
Creativity/Focus
Devised Theatre
Lecoq
Masks
Neutral Body Technique
Performance Art
Physical Theatre
Rasaboxes
Viewpoints
Yoga
Bowers, Bill
actor, mime, and teaching artist
William Esper StudioBill@Bill-Bowers.comCreative Dramatics
Devised Theatre
Mime
Movement for the Actor
Physical Theatre
Solo Performance
Sound and Movement
Brady, Anne
Professor of Theatre, Head, Acting/Directing
Binghamton Universityabrady@binghamton.eduAlignment/Release Work
Breath
General
Improvisation/Theatre Games
Impulse Work
Movement for the Actor
Physical Characterization
Stretching, Strength, and Relaxation
Broulik, Wesley
Assistant Professor of Practice
University of Nebraska-Lincolnwesleybroulik@gmail.comChekhov Training
Clowning and Circus
Composition
Conditioning and Acrobatics
Devised Theatre
Grotowski Physical Theatre
Improvisation/Theatre Games
Impulse Work
Martial Arts
Masks
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Browning, Joann
Professor of Theatre & Senior Associate Dean for the Arts
University of Delawarejbrownin@udel.eduBody Language
Choreography
Dance
Decroux
Laban/Bartenieff
Movement for the Actor
Musical Theatre
Pilates
Self Use
Stretching, Strength, and Relaxation
Buchanan, Richard
Instructor
Purdue Universityarichfellow@gmail.comButoh
Commedia dell'Arte
Laban/Bartenieff
Masks
Movement for the Actor
Physical Theatre
Puppetry
Callovini-Barbour, Jean
mimestar@verizon.netAmerican Mime
Mime
Calvano, Jenn
Assistant Professor
University of Louisvillejenncalvano@louisville.eduDance
Grotowski Physical Theatre
Laban/Bartenieff
Physical Characterization
Cariaso, Tara
Director, Educator and Mask Maker
Tara@waxingmoonmasks.comDevised Theatre
Lecoq
Masks
Physical Characterization
Physical Theatre
Yoga
Carroll, Sandi
Research Fellow & Program Manager
Penn State Universityslc58@psu.eduAlignment/Release Work
Biomechanics/Meyerhold
Body Language
Clowning and Circus
Commedia dell'Arte
Contact Improvisation
Creativity/Focus
Devised Theatre
General
Improvisation/Theatre Games
Lecoq
Masks
Movement for the Actor
Performance Art
Period Styles: Dance
Physical Characterization
Physical Theatre
Solo Performance
Sound and Movement
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Casazza, Jeff
Associate Professor of Theatre, Head of Acting/Movement/Voice
Indiana University Purdue University Fort Waynecasazzaj@ipfw.eduBody Language
Chekhov Training
Composition
Creative Dramatics
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Impulse Work
Margolis Method
Movement for Singers
Movement for the Actor
Other
Physical Characterization
Physical Theatre
Sound and Movement
Stretching, Strength, and Relaxation
Suzuki
Viewpoints
Cassell, Yo-El
Head of Movement/Assistant Professor
Boston Universityycassell@bu.eduAction Theatre
Alexander Technique
Alignment/Release Work
American Mime
Body Language
Breath
Butoh
Choreography
Clowning and Circus
Commedia dell'Arte
Composition
Contact Improvisation
Continuum
Creative Dramatics
Creativity/Focus
Dance
Devised Theatre
General
Grotowski Physical Theatre
Improvisation/Theatre Games
Impulse Work
Laban/Bartenieff
Mime
Movement and Dance Therapy
Movement for Singers
Movement for the Actor
Musical Theatre
Neutral Body Technique
Noh
Performance Art
Period Styles: Acting
Period Styles: Dance
Physical Characterization
Physical Theatre
Puppetry
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Cate, Holly
Associate Professor
Muhlenberg Collegehcate@muhlenberg.eduImprovisation/Theatre Games
Movement for the Actor
Physical Characterization
Physical Theatre
Caw, Allison
Educator, Artist, Activist
allisoncaw@gmail.comAnatomy/Injury Prevention
Bodymind/Somatics
Creativity/Focus
Dance
Devised Theatre
Grotowski Physical Theatre
Healing/Subtle Energies
Meditation
Movement for Singers
Movement for the Actor
Musical Theatre
Physical Theatre
Sound and Movement
Stretching, Strength, and Relaxation
Subtle Energies
Viewpoints
Williamson Technique
Cerullo, Jessica
Whitman Collegecerullja@whitman.eduAuthentic Movement
Bodymind/Somatics
Breath
Chekhov Training
Devised Theatre
Grotowski Physical Theatre
Meditation
Movement for Singers
Movement for the Actor
Physical Theatre
Solo Performance
Sound and Movement
Viewpoints
Chaffee, Judith
Associate Professor Emerita
Boston Universityjudith@commedia-dell-arte.comAlignment/Release Work
Bodymind/Somatics
Choreography
Commedia dell'Arte
Composition
Conditioning and Acrobatics
Contact Improvisation
Dance
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Masks
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Viewpoints
Yoga
Chester, Samantha
Movement Lecturer
Western Australia Academy of Performing Artssam@samanthachester.com.auChoreography
Composition
Contact Improvisation
Dance
Devised Theatre
Movement for the Actor
Physical Theatre
Solo Performance
Viewpoints
Yoga
Cole, Jonathan
Associate Professor, SAFD Certified Teacher of Stage Combat
Willamette Universityjcole@willamette.eduChoreography
Devised Theatre
General
Laban/Bartenieff
Martial Arts
Masks
Movement for the Actor
Performance Art
Period Styles: Acting
Physical Theatre
Solo Performance
Stage Combat
Stretching, Strength, and Relaxation
Crawford, Richard
richard@movementthaeterstudio.comMargolis Method
Masks
Crews, Therese
Associate Professor of Dance
tcrews@clcillinois.eduAnatomy/Injury Prevention
Authentic Movement
Choreography
Composition
Conditioning and Acrobatics
Contact Improvisation
Creativity/Focus
Dance
Improvisation/Theatre Games
Laban/Bartenieff
Meditation
Movement and Dance Therapy
Movement for the Actor
Musical Theatre
Performance Art
Period Styles: Dance
Physical Characterization
Physical Theatre
Solo Performance
Stage Combat
Stretching, Strength, and Relaxation
Yoga
Cruz, CarlosAlexis
Assistant Professor of Voice and Movement
University of North Carolina at Charlottecarloscruz@uncc.eduChoreography
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Devised Theatre
Ethnic Drama
Improvisation/Theatre Games
Lecoq
Masks
Movement for the Actor
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Danieley, Corrie
Assistant Professor of Theatre
Northern Kentucky Universitycorriedanieley@gmail.comAlexander Technique
Chekhov Training
Movement for the Actor
Self Use
Stretching, Strength, and Relaxation
Davis, Emily
Artistic Director/Feldenkrais Practitioner/Shakespeare Consultant
emily@messengertheatreco.orgAlignment/Release Work
Anatomy/Injury Prevention
Body Language
Bodymind/Somatics
Bodywork
Breath
Clowning and Circus
Commedia dell'Arte
Composition
Creative Dramatics
Creativity/Focus
Devised Theatre
Feldenkrais
General
Improvisation/Theatre Games
Masks
Movement for Singers
Movement for the Actor
Physical Characterization
Physical Theatre
Puppetry
Rasaboxes
Self Use
Solo Performance
Stretching, Strength, and Relaxation
Viewpoints
DeMers, Anna
Instructor Middlesex County College
annasycamore@gmail.comAction Theatre
Choreography
Dance
Devised Theatre
Grotowski Physical Theatre
Laban/Bartenieff
Lecoq
Margolis Method
Masks
Movement for the Actor
Performance Art
Physical Characterization
Physical Theatre
Solo Performance
Sound and Movement
Viewpoints
Yoga
Devine, Marc
Assistant Professor of Voice and Acting
Ball State Universitymarc.devine@gmail.comBodymind/Somatics
Choreography
Composition
Contact Improvisation
Devised Theatre
Grotowski Physical Theatre
Impulse Work
Meditation
Movement for Singers
Movement for the Actor
Musical Theatre
Performance Art
Physical Characterization
Physical Theatre
Solo Performance
Viewpoints
DiSanto, Dody
Artistic Director
The Center for Movement Theatredodydisanto@gmail.comAnatomy/Injury Prevention
Bodywork
Clowning and Circus
Conditioning and Acrobatics
Devised Theatre
Feldenkrais
Lecoq
Masks
Mime
Movement for the Actor
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Dor, Yarit
Movement Tutor - Movement Director -BASSC Stage Combat Teacher
yaritdor16@gmail.comAnatomy/Injury Prevention
Bodywork
Choreography
Commedia dell'Arte
Composition
Dance
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Lecoq
Masks
Movement for the Actor
Period Styles: Dance
Physical Characterization
Physical Theatre
Pilates
Stage Combat
Dowling, Niamh
Niamh Dowling, Head of School of Performance
niamh.dowling@bruford.ac.ukAlexander Technique
Alignment/Release Work
Bodywork
Grotowski Physical Theatre
Lecoq
Movement for Singers
Movement for the Actor
Physical Theatre
Dufton, Meredith
Head of Movement
Mountview Academy of Theatre Artsmeredith.dufton@tiscali.co.ukAuthentic Movement
Bodymind/Somatics
Bodywork
Butoh
Creativity/Focus
General
Impulse Work
Laban/Bartenieff
Martial Arts
Meditation
Movement and Dance Therapy
Movement for the Actor
Musical Theatre
Neutral Body Technique
Physical Characterization
Stretching, Strength, and Relaxation
T'ai Chi for Actors
Eddy, Luke
Head of Movement and Stage Combat
Oklahoma City Universityluke.eddy7@gmail.comContact Improvisation
Creativity/Focus
Feldenkrais
Improvisation/Theatre Games
Laban/Bartenieff
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Self Use
Stage Combat
Stretching, Strength, and Relaxation
Suzuki
T'ai Chi for Actors
Viewpoints
Eldredge, Sears
Professor Emeritus
Macalaster Collegeeldredge@macalester.eduCommedia dell'Arte
Masks
Neutral Body Technique
Noh
Erickson, Nick
Associate Professor
Louisiana State Universitynickwe@lsu.eduAlignment/Release Work
Anatomy/Injury Prevention
Authentic Movement
Body Language
Conditioning and Acrobatics
Contact Improvisation
Devised Theatre
Martial Arts
Masks
Movement for the Actor
Neutral Body Technique
Physical Theatre
Solo Performance
Sound and Movement
Stage Combat
Stretching, Strength, and Relaxation
Viewpoints
Fay, Lisa
Co-Director, Lisa Fay and Jeff Glassman Duo
lisafay@fastmail.fmChoreography
Contact Improvisation
Dance
Devised Theatre
Mime
Movement for the Actor
Notation
Other
Physical Theatre
Pivot-Montage
Solo Performance
Fech, Parke
parkeafech@gmail.comAction Theatre
Anatomy/Injury Prevention
Breath
Clowning and Circus
Commedia dell'Arte
Contact Improvisation
Creativity/Focus
General
Improvisation/Theatre Games
Impulse Work
Lecoq
Martial Arts
Masks
Meditation
Movement for Singers
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Sound and Movement
Stage Combat
Stretching, Strength, and Relaxation
Suzuki
Viewpoints
Yoga
Feldman, Bob
Actor, Corporate Trainer, Executive and Life Coach, Professional Speaker
mail@bobfeldman.netBody Language
Bodymind/Somatics
Bodywork
Creativity/Focus
Feldenkrais
Meditation
Mime
Movement for the Actor
Stretching, Strength, and Relaxation
Yoga
Franta, Matt
matt@mattfranta.comAnatomy/Injury Prevention
Choreography
Clowning and Circus
Contact Improvisation
General
Improvisation/Theatre Games
Martial Arts
Movement for the Actor
Musical Theatre
Other
Physical Characterization
Physical Theatre
Stage Combat
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Gaines, David
Adjunct Associate Professor
George Mason Universitydavid_gaines@hotmail.comClowning and Circus
Commedia dell'Arte
Devised Theatre
Lecoq
Masks
Mime
Movement for the Actor
Physical Theatre
Solo Performance
Gibbons, Gene
Faculty of Fine Arts
Concordia University (Montreal, QC)ggibbons@interlog.comDevised Theatre
Laban/Bartenieff
Movement for the Actor
Other
Performance Art
Glaser, Terry
Adjunct Professor, Department of Theatre
University of San Diegoterry4thalia@pacbell.netBody Language
Chekhov Training
Clowning and Circus
Commedia dell'Arte
Creative Dramatics
Creativity/Focus
Improvisation/Theatre Games
Masks
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Characterization
Solo Performance
Gleason, Cat
Assistant Teaching Professor
University of Missouri - Columbiacatzg65@gmail.comChoreography
Contact Improvisation
Dance
Improvisation/Theatre Games
Movement for the Actor
Physical Theatre
Gordon-Bland, Chaya
Assistant Professor of Movement and Shakespeare
University of South DakotaChaya.Gordon-Bland@usd.eduChekhov Training
Commedia dell'Arte
Lecoq
Martial Arts
Masks
Movement for the Actor
Period Styles: Acting
Physical Characterization
Stage Combat
Graham, Jennifer
Lecturer of Movement and Physical Theatre
Eastern Michigan Universityjgraham@emich.eduAlexander Technique
Alignment/Release Work
Bodywork
Choreography
Clowning and Circus
Devised Theatre
Improvisation/Theatre Games
Lecoq
Masks
Mime
Movement for the Actor
Musical Theatre
Neutral Body Technique
Physical Characterization
Physical Theatre
Grapko, Andrea
Part-time Faculty
University of Texas - Austinandygrapko@yahoo.comChekhov Training
Devised Theatre
Improvisation/Theatre Games
Movement for the Actor
Physical Characterization
Solo Performance
Harpham, Heather
Guest Teacher/Thesis Advisor
SUNY Purchasehharpham@me.comAction Theatre
Improvisation/Theatre Games
Movement for the Actor
Performance Art
Physical Characterization
Physical Theatre
Solo Performance
Sound and Movement
Yoga
Harris, Sydney Laurel
Alexander Technique Teacher/Teacher Trainer
sharris@alexanderusa.comAlexander Technique
Heinlein, Kurt
Professor, Head of BFA Acting Program
Missouri State UniversityKurtHeinlein@missouristate.eduAlignment/Release Work
Anatomy/Injury Prevention
Martial Arts
Movement for Singers
Movement for the Actor
Musical Theatre
Neutral Body Technique
Period Styles: Acting
Physical Theatre
Stage Combat
Stretching, Strength, and Relaxation
Henderson, Alison
chicagohenderson@comcast.netBody Language
Conditioning and Acrobatics
Laban/Bartenieff
Movement for the Actor
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Viewpoints
Hernandez, Joe M
Joe M Hernandez
joemhernandez@me.comGeneral
Movement for Singers
Movement for the Actor
Musical Theatre
Herr, Christopher
cjherr@missouristate.edu
Herrera, Joe
Founder & NMCA Certified Acting Teacher - Michael Chekhov Studio Orlando
veejoe7@yahoo.comBody Language
Bodymind/Somatics
Bodywork
Breath
Chekhov Training
Commedia dell'Arte
Creativity/Focus
Impulse Work
Laban/Bartenieff
Masks
Movement for the Actor
Physical Characterization
Physical Theatre
Rasaboxes
Sound and Movement
Subtle Energies
Hittle, Courtney
BFA Acting Student
Missouri State Universityhitt3027@sbcglobal.net
Horstein, Scott
horstein@sonoma.edu
Hoske, Laura
MFA Graduate Student
Western Illinois Universitylaura.hoske@gmail.comImprovisation/Theatre Games
Inouye, Kevin
Assistant Professor at the University of Wyoming
University of Wyomingkevin@kevininouye.comBody Language
Chekhov Training
Creativity/Focus
Ethnic Drama
Lecoq
Martial Arts
Masks
Mime
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Puppetry
Stage Combat
James, Anne
Associate Professor of Voice & Movement
California State University, Fullertonanjames@exchange.fullerton.eduAlignment/Release Work
Body Language
Breath
Commedia dell'Arte
Contact Improvisation
Healing/Subtle Energies
Improvisation/Theatre Games
Meditation
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Sound and Movement
Stretching, Strength, and Relaxation
Yoga
Jeff Glassman Duo, Lisa Fay and
Co-Director, Lisa Fay and Jeff Glassman Duo
jeffglassman0@gmail.comChoreography
Devised Theatre
Mime
Movement for the Actor
Notation
Other
Physical Theatre
Pivot-Montage
Solo Performance
Jessor, Kim
Alexander Technique Faculty
New York University - Tisch School of the Artskj292@nyu.eduAlexander Technique
Anatomy/Injury Prevention
Bodymind/Somatics
Dance
Movement for the Actor
Self Use
Johnson, Beth
Professor of Speech and Theatre
Finger Lakes Community Collegeyoga.cndga@gmail.comImprovisation/Theatre Games
Mime
Movement for the Actor
Pilates
Stretching, Strength, and Relaxation
Yoga
Johnson, Pam
College Professor
Humber Collegejohnson.pam1@gmail.comAlignment/Release Work
Bodymind/Somatics
Bodywork
Breath
Choreography
Contact Improvisation
Creativity/Focus
Dance
Devised Theatre
General
Improvisation/Theatre Games
Movement for the Actor
Performance Art
Physical Characterization
Physical Theatre
Pilates
Stretching, Strength, and Relaxation
Jones, Jeff A.R.
jarjones@nc.rr.comContact Improvisation
Improvisation/Theatre Games
Movement for the Actor
Stage Combat
Joyce, Pam
Limited Term Instructor
pamjoyce1999@gmail.comAction Theatre
Composition
Devised Theatre
Improvisation/Theatre Games
Performance Art
Period Styles: Acting
Physical Theatre
Solo Performance
Sound and Movement
Suzuki
Viewpoints
Yoga
Kantra, Nancy
Associate Professor
University of the Artsnkantra@uarts.eduAlignment/Release Work
Authentic Movement
Choreography
Dance
Laban/Bartenieff
Movement for Singers
Movement for the Actor
Musical Theatre
Stretching, Strength, and Relaxation
Yoga
Kerrigan, Sheila
The Mime Who Talks!
Alternate ROOTSkerrigan@mindspring.comBody Language
Composition
Creativity/Focus
Devised Theatre
Martial Arts
Mime
Movement for the Actor
Other
Physical Characterization
Physical Theatre
Solo Performance
Kildow, Eric
Assistant Professor, Theatre & Dance
Kent State Universityeskildow@gmail.comAlexander Technique
Clowning and Circus
Commedia dell'Arte
Devised Theatre
Improvisation/Theatre Games
Masks
Movement for the Actor
Kneen, Cynthia
independent educator, author, performer
Naropa Universitycynthiakneen@gmail.comBodymind/Somatics
Breath
Clowning and Circus
Commedia dell'Arte
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Lecoq
Martial Arts
Masks
Meditation
Mime
Movement for the Actor
Neutral Body Technique
Performance Art
Physical Theatre
Self Use
Solo Performance
Subtle Energies
Krienke, Joe
Freelance Teacher
joekrienke@gmail.comAlexander Technique
Anatomy/Injury Prevention
Clowning and Circus
Conditioning and Acrobatics
Devised Theatre
Masks
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Kubik, Marianne
Associate Professor
University of Virginiammk4g@virginia.eduAlignment/Release Work
Biomechanics/Meyerhold
Body Language
Choreography
Clowning and Circus
Devised Theatre
Masks
Movement for Singers
Movement for the Actor
Period Styles: Dance
Physical Theatre
Puppetry
Stage Combat
Ladd, Eliza
Assistant Professor of Movement for the Actor and Dance
FSU / Asolo Rep Conservatory for Actor Trainingelizalasa@gmail.comAction Theatre
Alignment/Release Work
Anatomy/Injury Prevention
Body Language
Bodymind/Somatics
Bodywork
Breath
Butoh
Choreography
Clowning and Circus
Composition
Creativity/Focus
Dance
Devised Theatre
General
Grotowski Physical Theatre
Improvisation/Theatre Games
Impulse Work
Lecoq
Masks
Meditation
Movement for Singers
Movement for the Actor
Other
Performance Art
Physical Characterization
Physical Theatre
Self Use
Solo Performance
Sound and Movement
Stretching, Strength, and Relaxation
Viewpoints
Lambdin, Jeffrey
Mime
woole@mindspring.comBody Language
Clowning and Circus
Commedia dell'Arte
Composition
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Masks
Mime
Movement for the Actor
Period Styles: Acting
Period Styles: Dance
Physical Characterization
Physical Theatre
Solo Performance
Lane, Rebekah
Graduate Student
Towson Universityrlane@towson.eduBody Language
Composition
Devised Theatre
General
Movement for the Actor
Physical Theatre
Puppetry
Viewpoints
Lecure, Bruce
Professor/Head of Movement Training
University of MiamiBLecure@miami.eduAlexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Bodywork
Masks
Movement for the Actor
Period Styles: Acting
Physical Characterization
Self Use
Stage Combat
Stretching, Strength, and Relaxation
Legawiec, Dana
Artistic Director
Ziggurat Theatre Ensembledlegawiec@comcast.netCommedia dell'Arte
Composition
Creative Dramatics
Devised Theatre
Laban/Bartenieff
Masks
Neutral Body Technique
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Yoga
Lehfeldt, Lynnae
associate professor
Oakland UniversityLehfeld2@oakland.eduAlignment/Release Work
Breath
Chekhov Training
Laban/Bartenieff
Masks
Movement for the Actor
Suzuki
Viewpoints
Yoga
LeTraunik, Brian
Assistant Professor of Theatre at Lamar University
brian.letraunik@gmail.comAction Theatre
Alexander Technique
Alignment/Release Work
Chekhov Training
Clowning and Circus
Commedia dell'Arte
Contact Improvisation
General
Improvisation/Theatre Games
Impulse Work
Laban/Bartenieff
Lecoq
Martial Arts
Masks
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Characterization
Stage Combat
Stretching, Strength, and Relaxation
Little, Melinda
Freelance
m_little@rogers.comAlignment/Release Work
Authentic Movement
Bodymind/Somatics
Composition
Devised Theatre
Laban/Bartenieff
Movement for the Actor
Neutral Body Technique
Physical Characterization
Physical Theatre
Viewpoints
Lu, Joyce
Performing Artist /Feldenkrais Practitioner / Asst Professor
joyce@joycelu.comBodymind/Somatics
Butoh
Composition
Contact Improvisation
Creative Dramatics
Dance
Devised Theatre
Ethnic Drama
Feldenkrais
Healing/Subtle Energies
Improvisation/Theatre Games
Movement and Dance Therapy
Performance Art
Physical Theatre
Solo Performance
T'ai Chi for Actors
Viewpoints
Lucas Larson, Brianna
MFA Candidate, Theatre Pedagogy (Emphasis in Movement/Musical Theatre)
Virginia Commonwealth Universitybriannaj.lucas@gmail.comChekhov Training
Choreography
Dance
Movement for the Actor
Musical Theatre
Lugering, Michael
michael.lugering@expressiveactor.org
Maas, Penny
Assistant Professor of Theatre
Texas Christian Universitypenny.maas@tcu.eduBody Language
Choreography
Contact Improvisation
Creativity/Focus
Dance
Impulse Work
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Dance
Sound and Movement
Stretching, Strength, and Relaxation
MacDonald, Amanda
Independent Alexander Technique Teacher
abmacd53@gmail.comAlexander Technique
Anatomy/Injury Prevention
Bodymind/Somatics
Breath
Choreography
Dance
Improvisation/Theatre Games
Movement for Singers
Movement for the Actor
Musical Theatre
Pilates
Self Use
Stretching, Strength, and Relaxation
Viewpoints
Madden, Catherine
Principal Lecturer
University of Washingtoncathmadden@aol.comAlexander Technique
Anatomy/Injury Prevention
Body Language
Bodymind/Somatics
Chekhov Training
Creativity/Focus
Improvisation/Theatre Games
Movement for the Actor
Physical Characterization
Self Use
Solo Performance
Mahannah, Ryan
Actor/Director/Student
Ryan.Mahannah@yahoo.comAlexander Technique
Chekhov Training
Laban/Bartenieff
Movement for the Actor
Period Styles: Acting
Physical Theatre
Suzuki
Viewpoints
Marcotte, C. Robin
Teaching Lecturer of Theatre
Plymouth State Universityrobinmarcotte@gmail.comAlignment/Release Work
Anatomy/Injury Prevention
Bodymind/Somatics
Bodywork
Choreography
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Contact Improvisation
Creativity/Focus
Decroux
Devised Theatre
General
Healing/Subtle Energies
Improvisation/Theatre Games
Lecoq
Masks
Movement for the Actor
Physical Characterization
Physical Theatre
Puppetry
Solo Performance
Stretching, Strength, and Relaxation
Yoga
Margolis, Kari
Artistic Director / Master Teacher
Margolis Method CenterMargolismethod@mac.comChoreography
Composition
Decroux
Devised Theatre
Grotowski Physical Theatre
Improvisation/Theatre Games
Margolis Method
Masks
Mime
Movement for the Actor
Performance Art
Physical Characterization
Physical Theatre
Puppetry
Solo Performance
Stretching, Strength, and Relaxation
Marotta, T. Anthony
Assistant Professor, Mask & Movement
University of GeorgiaNakedMasks@TAnthonyMarotta.comAlexander Technique
Body Language
Clowning and Circus
Commedia dell'Arte
Composition
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Lecoq
Masks
Movement for the Actor
Musical Theatre
Noh
Physical Characterization
Physical Theatre
Puppetry
Solo Performance
Stage Combat
Viewpoints
Martin, Jennifer
Fall Family Foundation Professor of Theatre , Emeritas
University of Missouri-Kansas Citymartinj@umkc.eduHealing/Subtle Energies
Period Styles: Dance
Subtle Energies
Martina, Natasha
Associate Professor
University of SaskatchewanNkmartina@gmail.comAlignment/Release Work
Bodymind/Somatics
Devised Theatre
Laban/Bartenieff
Movement for the Actor
Neutral Body Technique
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Matsos, Tory
Freelance Theatre Artist & Educator
tory.matsos@gmail.comAlexander Technique
Anatomy/Injury Prevention
Chekhov Training
Devised Theatre
Movement for the Actor
Solo Performance
Matyas, Joseph
Movement Specialist, Teaching Artist, Actor.
matyas.joe@gmail.comAlignment/Release Work
Physical Characterization
Stage Combat
Williamson Technique
Mayer, Rebecca Frost
Adjunct Instructor - Theatre
Virginia Commonwealth Universitymayerrf@vcu.eduChoreography
Composition
Contact Improvisation
Dance
Devised Theatre
General
Improvisation/Theatre Games
Movement for the Actor
Musical Theatre
Performance Art
Solo Performance
Stretching, Strength, and Relaxation
Mayhan, Sarah
AmSAT Certified Alexander Technique Teacher
learnalexanderchicago@gmail.comAlexander Technique
McMahon, Jeff
Associate Professor
Arizona State Universityjeffmcm@earthlink.netAction Theatre
Alignment/Release Work
Breath
Choreography
Composition
Contact Improvisation
Creativity/Focus
Dance
Devised Theatre
Grotowski Physical Theatre
Improvisation/Theatre Games
Movement for Singers
Movement for the Actor
Performance Art
Physical Theatre
Solo Performance
Sound and Movement
Stretching, Strength, and Relaxation
Meehan, Kate
Managing Director
katesmash@gmail.comBody Language
Clowning and Circus
Commedia dell'Arte
Composition
Contact Improvisation
Creative Dramatics
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Masks
Movement for the Actor
Performance Art
Period Styles: Acting
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Viewpoints
Mello, Belinda
Alexander Technique and Movement Specialist
AT Motion - Alexander Techniquebmello@alextechmotion.comAlexander Technique
Anatomy/Injury Prevention
Body Language
Bodymind/Somatics
Breath
Margolis Method
Masks
Movement for Singers
Movement for the Actor
Physical Characterization
Physical Theatre
Rasaboxes
Self Use
Meneghini, Tamara
tamara.meneghini@colorado.eduWilliamson Technique
MIlls, Jeff
Assistant Professor
The Theatre School at DePaul Universityjmproboscis@gmail.comAnatomy/Injury Prevention
Bodywork
Clowning and Circus
Commedia dell'Arte
Composition
Conditioning and Acrobatics
Creativity/Focus
Devised Theatre
Feldenkrais
General
Healing/Subtle Energies
Improvisation/Theatre Games
Laban/Bartenieff
Lecoq
Masks
Meditation
Mime
Movement for Singers
Movement for the Actor
Neutral Body Technique
Other
Period Styles: Acting
Physical Characterization
Physical Theatre
Puppetry
Solo Performance
Stage Combat
Stretching, Strength, and Relaxation
T'ai Chi for Actors
Yoga
Mills, Jessie
Visiting Assistant Professor
Wabash Collegemillsj@wabash.eduAction Theatre
Authentic Movement
Commedia dell'Arte
Composition
Contact Improvisation
Creativity/Focus
Decroux
Devised Theatre
General
Improvisation/Theatre Games
Impulse Work
Movement for Singers
Movement for the Actor
Musical Theatre
Performance Art
Period Styles: Acting
Physical Characterization
Physical Theatre
Solo Performance
Viewpoints
Mizenko, Jennifer
Professor
University of Mississippijmizenko@olemiss.eduAlexander Technique
Authentic Movement
Bodywork
Choreography
Dance
Grotowski Physical Theatre
Laban/Bartenieff
Movement for the Actor
Period Styles: Dance
Physical Characterization
Physical Theatre
Moller-Marino, Diana
Associate Professor of Theatre
University of Hartfordmoller@hartford.eduViewpoints
Monday, Mark
President and Producing Artistic Director-Great Lakes Michael Chekhov Consortium
Great Lakes Michael Chekhov Consortiummmonday@kent.eduAction Theatre
Chekhov Training
Masks
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Characterization
Physical Theatre
Stage Combat
Moore-Luparello, Justine
Movement Coach
Columbia College Chicagojustineluparello@gmail.comAlignment/Release Work
Authentic Movement
Bodywork
Butoh
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Contact Improvisation
Creativity/Focus
Dance
Grotowski Physical Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Lecoq
Movement for the Actor
Neutral Body Technique
Performance Art
Physical Characterization
Physical Theatre
Puppetry
Solo Performance
Suzuki
Viewpoints
Yoga
Morgan, Colum
Acting Teacher
cpmorgan1@gmail.comAction Theatre
Authentic Movement
Biomechanics/Meyerhold
Body Language
Bodymind/Somatics
Bodywork
Breath
Commedia dell'Arte
Contact Improvisation
Creative Dramatics
Creativity/Focus
Devised Theatre
General
Improvisation/Theatre Games
Impulse Work
Laban/Bartenieff
Lecoq
Masks
Mime
Movement for Singers
Movement for the Actor
Musical Theatre
Neutral Body Technique
Other
Performance Art
Period Styles: Acting
Physical Characterization
Physical Theatre
Self Use
Solo Performance
Sound and Movement
Stretching, Strength, and Relaxation
Mozer, Elizabeth
Assistant Professor
Binghamton Universityemozer@binghamton.eduBody Language
Bodymind/Somatics
Choreography
Composition
Creativity/Focus
Dance
Devised Theatre
Grotowski Physical Theatre
Laban/Bartenieff
Movement for Singers
Movement for the Actor
Musical Theatre
Neutral Body Technique
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Viewpoints
Mozon, Nadine
Associate Professor, Theater & Dance Department, Texas State University
nm15@txstate.eduAlexander Technique
Alignment/Release Work
Authentic Movement
Bodymind/Somatics
Breath
Composition
Creativity/Focus
Devised Theatre
Impulse Work
Movement for the Actor
Physical Theatre
Self Use
Solo Performance
Viewpoints
Muasher, Karim
Co-Artistic Director, Animal Engine
karimmuasher@gmail.comClowning and Circus
Devised Theatre
Lecoq
Masks
Movement for the Actor
Physical Theatre
Mueller, Michael
Assistant Professor
Fullerton Collegemjmueller3@gmail.comChekhov Training
Choreography
Contact Improvisation
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Mime
Movement for the Actor
Period Styles: Acting
Physical Theatre
Solo Performance
Stage Combat
Stretching, Strength, and Relaxation
Viewpoints
Murphy, Maiya
Assistant Professor, National University of Singapore
University of California San Diegomaiyamurphy@hotmail.comCreativity/Focus
Dance
Devised Theatre
Lecoq
Masks
Movement for the Actor
Neutral Body Technique
Physical Characterization
Physical Theatre
Nedder, Geneviève
Owner/CEO Body Fundamentals Inc.
University of Arizonagmnedder@comcast.netImprovisation/Theatre Games
Meditation
Movement for the Actor
Pilates
Stretching, Strength, and Relaxation
Neuerburg-Denzer, Ursula
Associate Professor
Concordia University (Montreal, QC)ursula.neuerburg-denzer@concordia.caAlignment/Release Work
Composition
Impulse Work
Movement for the Actor
Physical Theatre
Rasaboxes
Stretching, Strength, and Relaxation
Noble, Adam
Associate Professor of Acting & Movement
University of Houstonnobledynamic@gmail.comAction Theatre
Alexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Body Language
Choreography
Clowning and Circus
Devised Theatre
Grotowski Physical Theatre
Healing/Subtle Energies
Martial Arts
Meditation
Movement for Singers
Movement for the Actor
Other
Performance Art
Physical Characterization
Physical Theatre
Pilates
Self Use
Solo Performance
Stage Combat
Stretching, Strength, and Relaxation
Subtle Energies
Suzuki
Yoga
O'Driscoll, Dan
Dan35051@aol.comStage Combat
Ordeman, Lee
leeordeman@gmail.comAnatomy/Injury Prevention
Bodymind/Somatics
Butoh
Conditioning and Acrobatics
Contact Improvisation
Creativity/Focus
Dance
Improvisation/Theatre Games
Martial Arts
Meditation
Movement and Dance Therapy
Movement for the Actor
Other
Physical Theatre
Self Use
Stretching, Strength, and Relaxation
Orlandi, Janice
Movement Specialist , Movement Director, Physical Dramaturg Period Styles
University of the Artsj_orlandi@yahoo.comAlignment/Release Work
Anatomy/Injury Prevention
Chekhov Training
Composition
Contact Improvisation
Decroux
Devised Theatre
Impulse Work
Laban/Bartenieff
Margolis Method
Meditation
Movement for Singers
Movement for the Actor
Performance Art
Period Styles: Acting
Period Styles: Dance
Physical Characterization
Physical Theatre
Rasaboxes
Solo Performance
Sound and Movement
Suzuki
Viewpoints
Williamson Technique
Yoga
Ortuno, Enric
Master in Movement Studies
Radford Universityenricortuo@gmail.comMovement for the Actor
Physical Theatre
Puppetry
Stage Combat
Oxnam, Bradford
Lecturer of Theatre
Middle Tennessee State Universitybradoxnam@yahoo.comClowning and Circus
Commedia dell'Arte
Lecoq
Masks
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Characterization
Physical Theatre
Stage Combat
Suzuki
Pace, Chelsea
Assistant Professor of Movement
chelsea.pace@ndsu.eduAlignment/Release Work
Anatomy/Injury Prevention
Authentic Movement
Bodywork
Choreography
Clowning and Circus
Commedia dell'Arte
Contact Improvisation
Dance
Devised Theatre
Impulse Work
Laban/Bartenieff
Margolis Method
Masks
Movement and Dance Therapy
Movement for the Actor
Performance Art
Physical Characterization
Physical Theatre
Rasaboxes
Self Use
Solo Performance
Sound and Movement
Stage Combat
Stretching, Strength, and Relaxation
Viewpoints
Parks, Elizabeth
Visiting Assistant Professor of Theatre
Austin Collegeeparks@austincollege.eduBody Language
Choreography
Devised Theatre
Movement for the Actor
Noh
Physical Characterization
Pilates
Sound and Movement
Stretching, Strength, and Relaxation
Suzuki
Viewpoints
Percy, Marie
Assistant Professor in Residence, MFA, CMA
University of Conneticutmarie.percy@uconn.eduAlignment/Release Work
Bodymind/Somatics
Breath
Choreography
Conditioning and Acrobatics
Contact Improvisation
Dance
General
Grotowski Physical Theatre
Impulse Work
Laban/Bartenieff
Meditation
Movement for the Actor
Musical Theatre
Notation
Physical Characterization
Physical Theatre
Stage Combat
Stretching, Strength, and Relaxation
Yoga
Prichard, Jess
Professional Actor and Adjunct Assistant Professor
Lehman Collegejessprichard@gmail.comAlexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Body Language
Bodymind/Somatics
Breath
Clowning and Circus
Conditioning and Acrobatics
Contact Improvisation
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Lecoq
Masks
Movement for the Actor
Neutral Body Technique
Performance Art
Period Styles: Acting
Physical Characterization
Physical Theatre
Plastic/Droznin/Russian Stage Movement
Puppetry
Self Use
Sound and Movement
Stage Combat
Stretching, Strength, and Relaxation
Yoga
Quinn, Kali
Teacher, Director, Performer
Brown Universitykali_quinn@yahoo.comBody Language
Clowning and Circus
Commedia dell'Arte
Composition
Conditioning and Acrobatics
Creative Dramatics
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Masks
Meditation
Movement for the Actor
Musical Theatre
Other
Performance Art
Physical Characterization
Physical Theatre
Puppetry
Self Use
Solo Performance
Stretching, Strength, and Relaxation
Viewpoints
Rada, Julie
Raymond C. Morales Postgraduate Fellow in the College of Fine Arts
University of Utahjulie.rada@utah.eduBodymind/Somatics
Choreography
Composition
Contact Improvisation
Creativity/Focus
Devised Theatre
General
Grotowski Physical Theatre
Meditation
Movement for the Actor
Performance Art
Physical Theatre
Solo Performance
Stretching, Strength, and Relaxation
Viewpoints
Yoga
Rand, Rich
Professor of Theatre
Purdue Universityrichrand@purdue.eduBodywork
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Contact Improvisation
Feldenkrais
Grotowski Physical Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Masks
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Rasaboxes
Solo Performance
Stage Combat
Stretching, Strength, and Relaxation
Yoga
Rawlings, Cara
Associate Professor of Movement and Acting
Virginia Techcrawlings@vt.eduChoreography
Grotowski Physical Theatre
Impulse Work
Laban/Bartenieff
Lecoq
Mime
Movement for the Actor
Musical Theatre
Physical Characterization
Stage Combat
Yoga
Reed, David
Assistant Professor
University of Central Floridadavidandreed@yahoo.comBiomechanics/Meyerhold
Clowning and Circus
Commedia dell'Arte
Devised Theatre
Mime
Stage Combat
Viewpoints
Yoga
Reed, David
David.Reed@ucf.edu
Richardson, Drew
drew@dramaticfool.comBodymind/Somatics
Chekhov Training
Clowning and Circus
Commedia dell'Arte
Devised Theatre
Improvisation/Theatre Games
Lecoq
Masks
Mime
Movement for the Actor
Physical Characterization
Physical Theatre
Puppetry
Solo Performance
Rikard, Laura
Assistant Professor
University of Miamilaurarikard@mac.comBiomechanics/Meyerhold
Chekhov Training
Clowning and Circus
Commedia dell'Arte
Devised Theatre
Grotowski Physical Theatre
Laban/Bartenieff
Lecoq
Masks
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Theatre
Solo Performance
Stage Combat
Suzuki
Viewpoints
Roberts, Stephanie
Associate Professor of Theatre
University of Missouri-Kansas Citysraerob@yahoo.comClowning and Circus
Commedia dell'Arte
Devised Theatre
Lecoq
Masks
Physical Theatre
Solo Performance
Robertson, Deborah
Associate Dean, Emerita
Northern Illinois Universitydrobertson2@niu.eduBreath
Chekhov Training
Choreography
Creativity/Focus
Movement for the Actor
Period Styles: Acting
Period Styles: Dance
Physical Characterization
Stretching, Strength, and Relaxation
Williamson Technique
Robinson, Davis
Professor of Theater
Bowdoin Collegedrobinso@bowdoin.eduBody Language
Choreography
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Devised Theatre
Improvisation/Theatre Games
Impulse Work
Lecoq
Masks
Mime
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Puppetry
Stage Combat
Stretching, Strength, and Relaxation
Romersberger, Sara
Associate Professor of Theatre
Southern Methodist Universitysromer@mail.smu.eduChoreography
Clowning and Circus
Commedia dell'Arte
Dance
Lecoq
Masks
Period Styles: Acting
Stage Combat
Viewpoints
Rotunda, Connie
Assistant Professor
SUNY New Paltzrotundac@newpaltz.eduChekhov Training
Composition
Feldenkrais
Margolis Method
Movement for the Actor
Self Use
Viewpoints
Ruffin, Robert
Independent Theatre Professional
College of William & Maryruffinrobert@gmail.comChoreography
Clowning and Circus
Contact Improvisation
Creative Dramatics
Creativity/Focus
Devised Theatre
Martial Arts
Masks
Movement for the Actor
Period Styles: Acting
Physical Theatre
Self Use
Stage Combat
Saltzberg, Matt
Secretary, Association for Theatre Movement Educators / MFA in Directing candidate
Western Illinois Universitymatt.saltzberg@gmail.comComposition
Devised Theatre
Movement for the Actor
Musical Theatre
Performance Art
Period Styles: Acting
Physical Characterization
Physical Theatre
Solo Performance
Suzuki
Viewpoints
Sams, Casey
Associate Professor of Theatre
University of Tennesseejsams1@utk.eduChoreography
Contact Improvisation
Dance
Laban/Bartenieff
Meditation
Period Styles: Dance
T'ai Chi for Actors
Schirle, Joan
Founding Artistic Director
Dell'Arte International School of Physical Theatrejoans@dellarte.comAlexander Technique
Alignment/Release Work
Body Language
Clowning and Circus
Commedia dell'Arte
Composition
Devised Theatre
Lecoq
Masks
Movement for Singers
Movement for the Actor
Physical Characterization
Physical Theatre
Self Use
Solo Performance
Viewpoints
Schirle, Joan
info@dellarte.comAlexander Technique
Breath
Commedia dell'Arte
Contact Improvisation
Devised Theatre
General
Improvisation/Theatre Games
Masks
Movement for the Actor
Physical Characterization
Physical Theatre
Self Use
Sound and Movement
Stretching, Strength, and Relaxation
Schoger, Kelley
Assistant Professor, Acting and Movement
University of Alabamakelleyschoger@gmail.comAlexander Technique
Bodymind/Somatics
Breath
Contact Improvisation
Movement for the Actor
Stretching, Strength, and Relaxation
Shannon, Jacquelyn
graduate student, artist, educator
New York University, Steinhardt Schooljms1492@nyu.eduAuthentic Movement
Bodymind/Somatics
Butoh
Contact Improvisation
Dance
Devised Theatre
Grotowski Physical Theatre
Healing/Subtle Energies
Impulse Work
Movement and Dance Therapy
Performance Art
Physical Theatre
Subtle Energies
Suzuki
Sibley, Eli
AmSAT certified Alexander Teacher, C.M.A., M.F.A.
eli.sibley@yahoo.comAlexander Technique
Alignment/Release Work
Breath
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Movement for the Actor
Period Styles: Acting
Physical Theatre
Self Use
Solo Performance
Viewpoints
Sittig, Stefan
Professor of Humanities & Theatre
University of Marylandstefan.sittig@gmail.comBody Language
Choreography
Dance
Improvisation/Theatre Games
Laban/Bartenieff
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Acting
Period Styles: Dance
Physical Theatre
Pilates
Stage Combat
Stretching, Strength, and Relaxation
Smit, Mairin
Artist Wellness Educator
mairin.smit@gmail.comBodymind/Somatics
Breath
Choreography
Contact Improvisation
Dance
Devised Theatre
General
Healing/Subtle Energies
Improvisation/Theatre Games
Meditation
Movement for the Actor
Physical Characterization
Physical Theatre
Stretching, Strength, and Relaxation
Subtle Energies
Yoga
Smith, Sonya
MFA in Dance Candidate
University of Colorado at Bouldersonya.smith@colorado.eduChoreography
Conditioning and Acrobatics
Contact Improvisation
Dance
Other
Pilates
Spridco, Genesee
Co Artistic Director of Imaginez Ensemblez
Dell'Arte International School of Physical Theatregeneseespridco@gmail.comChoreography
Clowning and Circus
Commedia dell'Arte
Contact Improvisation
Creativity/Focus
Dance
Devised Theatre
Grotowski Physical Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Lecoq
Martial Arts
Masks
Movement for the Actor
Musical Theatre
Physical Characterization
Physical Theatre
Puppetry
Viewpoints
Yoga
Standley, Eileen
Clinical Professor
Arizona State Universityeileen.standley@asu.eduAlexander Technique
Alignment/Release Work
Bodymind/Somatics
Bodywork
Choreography
Composition
Creativity/Focus
Dance
Improvisation/Theatre Games
Meditation
Performance Art
Self Use
Stretching, Strength, and Relaxation
Yoga
Stanton, Liz
Instructor - Acting, Voice & Movement
New York University - Tisch School of the Artslizbethnyc@gmail.comBodymind/Somatics
Breath
Composition
Devised Theatre
Grotowski Physical Theatre
Improvisation/Theatre Games
Impulse Work
Meditation
Movement for Singers
Movement for the Actor
Musical Theatre
Physical Theatre
Solo Performance
Sound and Movement
Suzuki
Viewpoints
Yoga
Stover, James
Visiting Assistant Professor of Theatre
Virginia Commonwealth Universityjamespaulstover@gmail.comAuthentic Movement
Chekhov Training
Creativity/Focus
Movement for Singers
Movement for the Actor
Musical Theatre
Sound and Movement
Stowe, Shannon
Part-time faculty, New School for Drama
Otherstowes@newschool.eduChoreography
Creative Dramatics
Dance
Devised Theatre
Movement for the Actor
Musical Theatre
Physical Theatre
Pilates
Stretching, Strength, and Relaxation
Yoga
Swartz, Rachael
Adjunct Professor
Ashland Universityrswartz08@gmail.comBreath
Choreography
Commedia dell'Arte
Dance
Improvisation/Theatre Games
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Characterization
Stage Combat
Stretching, Strength, and Relaxation
Suzuki
Viewpoints
Taft, David
Professor
Cornish College of the Artsdtaft@cornish.eduBiomechanics/Meyerhold
Bodywork
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Devised Theatre
Improvisation/Theatre Games
Lecoq
Masks
Movement for the Actor
Physical Characterization
Physical Theatre
Puppetry
Terstriep-Herber, Tracy
Choreographer/Movement Coach/Instructor of Movement for Theatre
University of Missouri-Kansas Citytterstriep@gmail.comChoreography
Creativity/Focus
Dance
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Dance
Physical Characterization
Yoga
Thompson, Jeanine
Associate Professor, Movement Theatre Specialist
Ohio State Universitythompson.105@osu.eduAnatomy/Injury Prevention
Choreography
Composition
Dance
Decroux
Devised Theatre
Mime
Movement for the Actor
Physical Theatre
Solo Performance
Suzuki
Viewpoints
Thornton, Annette
Director, Music Theatre
Central Michigan Universitythorn1a@cmich.eduBiomechanics/Meyerhold
Choreography
Dance
Mime
Movement for Singers
Movement for the Actor
Musical Theatre
Period Styles: Acting
Physical Theatre
Yoga
Trevino, William
St. Joseph's College - Brooklynwatrevino@hotmail.comDevised Theatre
Martial Arts
Physical Theatre
T'ai Chi for Actors
Troubleshoot, ATME
ryan@ryanmcneildesign.com
Truss, Tom
dancer, actor, choreogrpher, director, educator, Alexander Teacher
New Zealand School of Dancetomjtruss@gmail.comAction Theatre
Alexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Authentic Movement
Bodymind/Somatics
Bodywork
Choreography
Composition
Contact Improvisation
Creative Dramatics
Creativity/Focus
Dance
Devised Theatre
Healing/Subtle Energies
Improvisation/Theatre Games
Laban/Bartenieff
Meditation
Movement and Dance Therapy
Movement for Singers
Movement for the Actor
Musical Theatre
Performance Art
Physical Characterization
Physical Theatre
Pilates
Solo Performance
Suzuki
Viewpoints
Yoga
Tsachor, Rachelle
Assistant Professor of Movement
University of Illinois at Chicagortsachor@uic.eduAlexander Technique
Alignment/Release Work
Anatomy/Injury Prevention
Authentic Movement
Body Language
Bodymind/Somatics
Breath
Choreography
Dance
Laban/Bartenieff
Meditation
Movement and Dance Therapy
Movement for Singers
Movement for the Actor
Notation
Period Styles: Acting
Period Styles: Dance
Physical Characterization
Self Use
Stretching, Strength, and Relaxation
Tulip, Malcolm
Associate Professor, Head of Directing
University of Michigan - Ann Arbordmtulip@umich.eduClowning and Circus
Commedia dell'Arte
Lecoq
Masks
Movement for the Actor
Neutral Body Technique
Performance Art
Physical Characterization
Physical Theatre
Solo Performance
Vasiliades, Tom
tvasiliades@nyc.rr.comAlexander Technique
Chekhov Training
Movement for the Actor
Period Styles: Acting
Physical Characterization
VerNooy, Rebecca
Assistant Professor
Ohio UniversityVernooyR@aol.comAuthentic Movement
Bodymind/Somatics
Composition
Dance
Devised Theatre
Meditation
Solo Performance
Viewpoints
Yoga
Washington, Tamiko
Associate Professor of Theatre
Chapman Universitywashingt@chapman.eduBody Language
Breath
Devised Theatre
Masks
Meditation
Movement for the Actor
Noh
Period Styles: Acting
Physical Theatre
Suzuki
T'ai Chi for Actors
Waugh, Benjamin
Naropa Universitybenmwaugh@gmail.comClowning and Circus
Conditioning and Acrobatics
Dance
Physical Theatre
Suzuki
Viewpoints
Weber, David
Acting Teacher
vidweber@gmail.comChekhov Training
Movement for the Actor
Stage Combat
Viewpoints
Webster, Greg
Assistant Professor
University of Conneticutgregory.webster@uconn.eduBodywork
Breath
Choreography
Clowning and Circus
Commedia dell'Arte
Conditioning and Acrobatics
Creative Dramatics
Creativity/Focus
Devised Theatre
Gyrotonic/Gyrokinesis
Lecoq
Martial Arts
Masks
Mime
Physical Characterization
Physical Theatre
Pilates
Stage Combat
T'ai Chi for Actors
Weiser, Wolfgang
at@weiser.seAlexander Technique
Bodywork
Clowning and Circus
Physical Theatre
Whitney, Zane
Teacher
Freelancetheatre.generalist10@gmail.comChoreography
Commedia dell'Arte
Composition
Devised Theatre
Masks
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Stage Combat
Williams, Jeremy
Jeremy@Jeremy-Williams.org
Wilson, Matthew R.
Director, Fight Director, Commedia Specialist, Actor, Instructor, Scholar
WilsonMatthewR@gmail.comAnatomy/Injury Prevention
Body Language
Clowning and Circus
Commedia dell'Arte
Composition
Conditioning and Acrobatics
Contact Improvisation
Creativity/Focus
Devised Theatre
Improvisation/Theatre Games
Laban/Bartenieff
Masks
Mime
Movement for the Actor
Period Styles: Acting
Physical Characterization
Physical Theatre
Puppetry
Solo Performance
Stage Combat
Stretching, Strength, and Relaxation
Viewpoints
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