Elizabeth Mozer


Assistant Professor

Binghamton University

Binghamton University Department of Theatre, FA127 PO Box 6000
Binghamton, NY 13902
United States


emozer@binghamton.edu
elizabeth@theatreintheflesh.net

http://theatreintheflesh.net

http://www2.binghamton.edu/theatre/faculty-and-staff/mozer.html


Biography:

Elizabeth Mozer is an actress, deviser, director and teacher. She is an Assistant Professor at Binghamton University currently teaching Scene Study, Embodied Acting, On-Camera Acting, Devising, and Body/Movement. She has taught at The Stella Adler Studio of Acting, The Atlantic School, The Ted Bardy Studio and AMDA in NYC. Elizabeth's artistic research includes the embodied art of acting and somatic approaches to actor training, devising original theatre with a focus on collaborative ensemble works and adapting works from other art forms to the stage, the Meisner technique, performance pedagogy, and cross-disciplinary exchange. As a Director, Elizabeth's most recent credits include A CHORUS LINE, Rod Serling's THE TWILIGHT ZONE, DEAD MAN'S CELL PHONE, and the devised work PREEMPTIVE STRIKE at Binghamton University; THE MOTHER OF MODERN CENSORSHIP and the devised work THE CROW at the University of Pittsburgh; and the devised work A PLACE AT THE TABLE  at the Stella Adler Studio. Elizabeth is the artistic director and founder of the collaborative movement-theatre company Theatre in the Flesh. Her company works include BROKEN OPEN, THE AUGUST 9th PROJECT, and BLOOD & HONEY at the ArcLight Theatre, NYC and INTIMATE AFFAIRS at HERE, NYC. Elizabeth has been an original cast member of the Broadway productions TEDDY & ALICE, DANGEROUS GAMES, and VICTOR/VICTORIA. Her most recent roles include Sister Aloysius in DOUBT, Rebecca in ASHES TO ASHES, and Sonya in AFTERPLAY. She has appeared in close to 100 TV commercials, has performed in dozens of on-camera and live business theatre productions and has worked as a voice-over artist. Elizabeth received her BA in Dance from SUNY Brockport and her MFA in Theatre Arts - Performance Pedagogy from the University of Pittsburgh. She has trained professionally with Tina Landau, Anne Bogart and the SITI Co., Moisés Kaufman and Leigh Fondakowski and The Tectonic Theater Project, Stephen Wangh, Tim Phillips, Fay Simpson, Joan Evans and William Esper. She is a member of SAG-AFTRA, AEA, and AGVA.



Movement Specialties:

Body Language

Bodymind/Somatics

Choreography

Composition

Creativity/Focus

Dance

Devised Theatre

Grotowski Physical Theatre

Laban/Bartenieff

Movement for Singers

Movement for the Actor

Musical Theatre

Neutral Body Technique

Physical Characterization

Physical Theatre

Stretching, Strength, and Relaxation

Viewpoints



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